• Graded • The Fault in Our Stones

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Zip
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The Fault in Our Stones

7th Ymiden, 705

Prison.

Prison, prison, prison.

Just a word.

The kids called it the orphanage. Another word.

Nobody called it home. People lived there, sure, but nobody called it home.

Big, rusty gate, three unclimbable walls, a chained fence, too many kids crammed into too small a space, too little food for the growing. Again, words. Didn’t quite capture the mind-numbing boredom, the complete absence of interest from the caretakers and teachers towards their charges, and the sheer negligence at play. If there were any good intentions at play when the orphanage was funded and built, they were not being fulfilled. Just kids without role models being trained for the street, growing up to be criminals and low-lives and the dregs of society.

Damn pity.

That, too, was, a word; a lie. Fiona didn’t have the means to articulate what she was really thinking when she was 7 arcs old, but she knew it now: malicious or benign, intended or arbitrary, everything anyone tells you is a lie; the truth is infinitely more nuanced than the limitations of language. The truth started at her fingertips and began its work when she pressed her palm against the world.

A Transmutator sought reality in things outside flesh and it was on the day that Fiona pressed her palm to the great right wall, as she had done many times before, as if seeking something, as if she could push hard enough upon stone and run free, as if she could wish hard enough and the universe would listen to a little caged bird’s song of freedom… that she heard…

Calling it a voice was misleading, but let’s use it.

The sense of it is a bit more than the definition of the five we’re familiar with. Again, words: the truth that the Transmutator seeks are bigger, bigger, bigger than the language we try to cage them in with.

She didn’t have a name for it. Years later, she would learn that it was called Identity, but she still had no name for it. She could no more give a name to this than she could her sense of smell or touch. It was her. Wholly her, not some weapon to be sheathed when done or a pet to leash every time she didn’t need it to strut around. Identity? It was an academic’s word. Formal, stuffy, unfamiliar, and, as I’m sure you’re bloody tired of by now, a fuckling's lie.

She would never admit this to anyone but it has occurred to her, again, years later that her distaste for Defiers lay in the similarities of their exploratory premise: it all started with the voice. The difference lay in what they said: defiers were built on sentimentality. Defiers were built on opinions and comfort, of fire telling you it was okay, of wind soothing you to sleep. Of the sweet lies a mother tells her child.

Someone once claimed that Defiers were the strongest of mages. That fuckin' someone failed to account for the weakness of their character; they were children in the wake of sycophants. They were weaned at the breast of delusion. They were, in a word, mental.

Transmutation? Was built on fact.

Despite all her talk of it not being a voice, Fiona pressed her little ear to the rock to listen. An arbitrary sentimentality; the hands were more than enough. But sometimes, just sometimes, even now, when the facts wouldn’t fuckin’ come quickly enough…

She found herself pressing her ear to listen to the gospel of the world.
Last edited by Zip on Thu Oct 12, 2017 8:43 am, edited 3 times in total. word count: 605
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Zip
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The Fault in Our Stones

Let’s try this again: Identity is not a sense nor a voice. It is, Fiona suspected, something that may very well come differently to different Transmutators. For her, it was a perception; a monologue that the world gave her and that she, the audience, listened intently to.

Her ears and palms pressed to the wall, the world told her the truth of it.

But she couldn’t hear it yet. The voice rang clear but it was distant, garbled, but the world was not at fault; she just wasn’t ready to listen yet. It would be arcs before she could touch something and send perception into the world and receive it in kind.

But garbled gospel was still gospel.

And it was a turning point, what she saw. Because what she saw, heard, whatever, was this:

Stress.

Just stress.

The story of the stone wall that stood between the jail of her life and the outside world she knew so little about was stress.

Vectors of stress that stretched or squeezed, of small deformations distributed through the mineral, of shear and torque. She is not a physicist, nor will she ever be, but these core concepts came to her as wordless concepts, as an intelletus of sorts, a natural understanding of the stone. It was old, it was ill-maintained and ill-made, and why should it be otherwise, all it would do is keep children in.

Her real step as a Transmutator was a gaze upon weakness.

Her real step as a Transmutator taught her that things could oh so easily break.
Last edited by Zip on Sun Oct 01, 2017 3:50 pm, edited 1 time in total. word count: 265
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The Fault in Our Stones

“Fiona’s humping the wall!”

She might have been there for break, probably more. It was inevitable that someone would come looking for her. Little Nate was a small boy who made the bigger kids laugh; his go-to means of survival seemed to be collecting embarrassing snippets of what other kids were involved in and spreading it around like wildfire. The class’s professional gossiper, if you would. It’s a familiar scene this: little Nate runs in, screams, declares his intention to tattle, and runs off to tell the world.

He was, on this day, unfortunate enough to walk in a protagonist’s pre-pubescent epiphany on life.

Because Identity had told Fiona a few truths:

Now she thinks: oh, the wall’s just a wall. It’s not some impossible barrier barring entry to the world outside; it can be breached. The truth of it is weakness.

Now she thinks: oh, things break. Things are meant to break.

Now she thinks: oh, what’s one little boy next to a wall.

Now she thinks: oh, I’m not gonna be a victim of little Nate’s mouth

Now she thinks: oh, maybe little Nate should break too.

Now she thinks: oh, maybe if I press my hand to little Nate’s head, I can see where it breaks too.

Now she does this: run after little Nate, tackling his little body to the ground and smashing his face first into the dirt. There’s a struggle, and Fiona finds herself like a rider on a cow, trying to keep on top, trying to keep him pinned on the ground while she puts her hand on his face to find the secret of his-

Nothing.

“Get off me!”

Still nothing.

“Fuckin’ get off me!”

Nope.

“If you don’t get off me, I’m gonna go to Finn’s crib and-“

It was then that she decided that she didn’t need some magic touch to find the truth for her.

She would employ trial and error.

She finally agreed to his request and got off him - only to return with a savage beating.

When she brought her bare foot down on his head, he screamed the loudest.

Okay then.

So she repeated it. She stomped his head into the dirt until he couldn't sob anymore. She stomped his head in until all he could do was promise never to tell anyone about it. She stomped his head into the dirt until she realized, that, he didn't matter at all. She stomped until she was happy and walked away. Little Nate would tell everyone he was attacked by a dog that jumped the fence. As implausible a possibility as that was, nobody actually cared enough to second-guess it. He walked funny for weeks after that and he never once looked at Fiona again.

She didn't even remember his name.

He was just another fault in the stone.
Last edited by Zip on Sun Oct 01, 2017 3:51 pm, edited 1 time in total. word count: 493
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The Fault in Our Stones

There was a little bush in the corner of the right wall. It was a shriveled little thing, for the orphanage didn't have much gardening going on about, but it was big enough, still bushy enough to, let's say, hide a hole to the outside world behind it.

Fiona understood the stone now. It was not an understanding borne of a Defier's symbiosis with the elements, but the true understanding that came from knowledge, came from analysis, came from placing a hand upon the rock and commanding the world to tell her its secrets. And now, unlike a defier (Adult Zipper just won't shut up about defiers. Bad breakup?), she was a ward to its power, not a plaything to its whims.

The technician wins, she would always say. The technician always wins when you didn't have to sit at the whim od judges and paint a pretty picture.

And so the old stone wall of the orphanage, the slab of rock that was meant to be her prison, became the first vanguard of her way into the world. The first book in what she would make of a great archive.

Years later, she would learn this was a Quality. Didn't matter. The identity name thing held fast here too.

She pushed past the bush and pressed her hands towards the wall again, as she had done earlier in the day. Her spark throbbed and seethed,
as if trying to impart upon her some great truth, roaring its triumph whenever she nudged a little ether from it, up her arms and into her fingertips.
Where once she discovered, now she-

Withered.

It took her an hour.

An hour of concentration, of ether fading in and out, of the strange numbness in her fingers that told her not to go on, of being tired of standing there, hoping another little Nate would show up, but she got it right eventually.

Corrosion found herself a hole into the world.
word count: 333
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Noth
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The Fault in Our Stones

Knowledge: Transmutation: Identity
Transmutation: Corrosion
Transmutation: Doesn't work on flesh
Transmutation: The Hardness of Stone
Unarmed Combat: Head Stomps
Intimidation: Using Violence to buy Silence
Loot: Nope
Injuries/Overstepping: Noooope
Fame: Prolly not
Collaboration: Nooooope
Magic EXP: Yes pls

Notes: It's so good. Your writing is just so superb! Your vocabulary game is on point, and your analogies are complex, but still easy enough to follow. I would say more, but in the end, my adoration for what you've crafted is limited by language. Also, solid work with the feet-stompings. How very young thug of you. :)
word count: 100
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Credit to Pegasus


As a note: Noth is a Grandmaster in Intimidation. That means that he's at least as scary as the Count from Sesame Street. Beware.

"The tyrant confuses those he can't convince, corrupts those he can't confuse, and crushes those he can't corrupt." - Anonymous
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