6th of Vhalar 721, continued from here
Like any other religion worth its salt, the Webspinners weren't without their cultural offerings. It wasn't all dark clothing, painted nails, lips, and eyes, or a blasé disregard for morality that attracted one to the fold to begin with. There was a musical aspect of the cult. A side of the religion that offered dance, revelry, music and lyrical allure to attract new followers. And while the bulk of their converts were children, whether runaways, kidnapped, or orphans, they didn't turn away those of a more maleable mind-set that were old and refined enough to appreciate these cultural gifts.
So as Woe descended into the dreamscape of the first sleeper, he couldn't ignore the familiar sound of a hymn that he'd heard often during his upbringing. It sang of one of the Fabled Hall of Temptations. Woe didn't know if those stories of Sintra's Labyrinthine realm of webbing and souls actually existed. But he'd learned enough of it's cosmology through several hymns, each dedicated to the separate Halls of the realm, and also the two other parts of the Eight-Fold realm, the Trap and the Outer Dark, that were less a part of their realm, and more the extreme inner workings or the outer limits.
This particular song spoke of the Halls of Passion. Woe tried to block out the specific words, as they dug at his psyche, threatening to overwhelm him with difficult memories that he wished not to revisit. It did occur to him, as he retrieved himself to lucidity in the dreamscape, that this person whose dream he'd entered into knew of the hymn. Was he or she then a witch hunter, or a webspinner themself? In either event, they were clearly dangerous. Woe wondered now, suspiciously, if the other dreamers might also be part of the Cult, or else similarly knowledgeable about it. It couldn't be a coincidence that this hymn was playing faintly in the background, at any rate.
Regardless of where the dreamer landed on either side of the struggle of Manipulator versus Emancipator, they knew much of the lore that Woe had been indoctrinated into in his youth. Woe found a strange sense of fortification in the knowledge that he'd garnered during that troubled youth. That he knew well how to navigate the Hall of Passion, because it's instruction had been built into many of the hymns, lessons, and general upbringing of a Webspinner. Though Sintra was a trapper and a manipulator, she loathed taking gullible people into her fold. Only those who were best able to resist such passions and temptations were worthy of the heights of the Webspinner.
So as the sensations flooded through Woe, he tried to resist following them to their conclusion. However, there was something disorganized and unusual about the way they presented in this dream. The softness of a lover's hair, the brush of warm skin and the warmth of home. These things called to Woe, begging an answer. He supposed he must respond in some way, lest they draw him along their tempting path. He had only brushed the surface of saying one thing and meaning another. When it came to communicating without words, with action or engaging the other senses, it was a new frontier.
But Woe took his experience with his son, Toutouye, and their communication through a combinatino of signed language and pantomime. When the skin was felt to brush against him, the invisible temptress was rebuffed by a solid non-verbal 'No' from Woe. He couldn't quite place how he'd delivered his command to back off, but it seemed to work.
Soon enough, he was forming more complex statements with a combination of visual cues as well as sensory ones. When at last, he felt the temptress of passion far away from him, all memory of the finer things in his life that had made it worth living, Woe fell out of her dream, having found her at the center. He walked from the bridged connection of her dreamscape, toward the next.
And there, he found an unparalleled sense of grief.


